Every so often in “A Complete Unknown,” an enjoyably easy-listening and -watching fiction about Bob Dylan’s early road to immortality, Timothée Chalamet lowers his gaze and sends a shiver up your spine. It’s as startling as it is welcome because Cha
“Babygirl” isn’t a romantic comedy or a romance or even a comedy, though it concerns matters of the heart, and has a friskily impolite sense of humor. Set over what seems like a very long Christmas season, it centers on Romy — a transfixing Nicole K
In recent years, several choreographers, mostly from Europe, have tried to put club culture and the experience of a rave onto a theater stage. Sharon Eyal’s “R.O.S.E.” goes further: It is a rave. For the production’s North American premiere, the bac
quick hit slots When a group of dancers gets together, they arrive with years of information stored in their bodies: layers upon layers of formal training and, like anyone else, of everyday experience just moving through the world. In “Movement,” a
Tess Dworman is rarely just Tess Dworman. This choreographer and dancer is a shape-shifter with a biting wit. She inhabits other people as if she were flipping through sketches and bringing them to life. You grasp who they are through Dworman’s deli
Arlene Crocequeen777, the great American dance critic who wrote for The New Yorker from 1973 to 1996, died on Monday morning, the day before Les Ballets Trockadero de Monte Carlo lifted the curtain on its December season at the Joyce Theater. Many o
Watch a lot of international cinema, and certain border-transcending concerns tend to surface. This yearadbackhome or ad casino, I’ve seen many films about the myriad subtle ways that societies fence their women in. Sometimes there are blatantly mis
owl game ‘2073’ Review: Back to the Future
2025-01-05The existential questions guiding “2073,” Asif Kapadia’s audacious exercise in futurism, are broad and familiar ones. How did we get here? What does our future look like? How can we change our current course toward a brighter one? This is hardly the
The anthology movie “From Ground Zero” opens with a Palestinian woman composing a letter. In Reema Mahmoud’s short film “Selfiedoubleu casino,” the young mother speaks of sleeping in a tent and communing with her son, a toddler, but it’s hard to wak